For his contribution to the edition of the Swiss art magazine Parkett, Sigmar Polke used a tongue-twister saying that is not only well-known, but especially popular in Switzerland, as a title, which he left in the Schwyzerdytsch dialect. Polke not only remained true to his ironic humor, which is typical for his artistic approach, but also his techniques of pictorial quotation, copying, rastering and alienation, which is reflected here in the "crooked" hung painting carrier.
The motif itself comes from the fifth collage in the group "Le Lion de Belfort", which stands at the beginning of Max Ernst's famous collage novel "Une semaine de bonté" from 1933 (published in 1934).
