"Südliche Stadt" (Southern Town), 1956

„...Based on an amazed emotionality when confronted with the abundance of southern light, the miracle of colour, and the severity of form, the realization grows that human experience has to be ignited by the physical object, however, it only leads to artistic form with the insight that the demon of light dissects the environment into its crystalline Ur-pieces, which have to sort themselves into a principle in the formal arrangement of a picture. A many-layered sequence of spatial experience and observation has to weave itself into a picture. But with that, the simultaneity of space and time is cancelled, and the relativity of impressionist possibilities makes way for an absolute pictorial law...“ Eduard Bargheer