Fernando Botero’s sculptural style, like his painting, is as unmistakable as it is unique. The grotesquely exaggerated curves of his figures create a monumental effect even in small-scale or, as here, smaller-than-life-sized sculptures whose presence is enhanced by the hieratic posture of the figures and the smooth, wrinkleless and shiny surfaces.
Botero uses the formal language of ancient cultures, both from pre-Columbian and prehistoric art. In his work as well, the unrealistic exaggeration of forms is not to be understood as a distortion, but as an accentuation. His topic is the design of the body in space, which, due to the almost always noticeable lack of relation even between figures that appear together, as well as their posture toward the viewer, leads to a rigor that contrasts with the initially ironically interpreted fullness of the bodies.
The horse is a constantly recurring theme in Botero's oeuvre, shaped by his own biography and his childhood memories of his father, who died at an early age, crossing Colombia on horseback as a traveling salesman. "I've been painting horses all my life, but they're all different." His horse sculptures in particular, regardless of their actual size, convey a monumental and engaging presence.
