Apart from works on paper, graphics and photographs, Thomas Schütte's body of work not only includes installations and architectural models, but also stands out in particular for his sculptures. The human being and the human condition are at the centre of his interest, which Schütte explores in sculptures of various sizes, ranging from small-format models to monumental works. The physiognomies of his figures often appear grotesquely deformed or alienated, sometimes achieving a humorous effect, but not without having a serious intention behind them. Schütte explores the range of human existence using a variety of materials such as bronze, steel, wood, Fimo, glass, ceramics or fabric. With his diversity of content and technique and his love of experimentation, Schütte is one of the most important sculptors worldwide who deal with the concerns of their time and constantly question their medium anew with a view to its history.
Thomas Schütte (born 1954 in Oldenburg) studied under Fritz Schwegler and Gerhard Richter at the Düsseldorf Art Academy from 1973 to 1981. He participated in the documenta in 1987, 1992 and 1997 and was awarded the Golden Lion at the Venice Biennale in 2005. Important museums have dedicated solo exhibitions to the artist, e.g. Kunsthaus Bregenz, Bregenz; Moderna Museet, Stockholm; Fondation Beyeler, Basel; Serpentine Gallery, London; Museum Folkwang, Essen; Museo Nacional de Arte Reina Sofia, Madrid and Haus der Kunst, Munich.
Works by Schütte can be found in the following prestigious collections, among others: ARCO Foundation Collection, Madrid; Centre Georges Pompidou, Paris; DIA Center for the Arts, New York; Friedrich Christian Flick Collection, Berlin; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Fundação de Serralves - Museu de Arte Contemporânea, Porto; Tate Modern, London and the Walker Art Center, Minneapolis.
